The ninthWavesound project, produced for Laura Marsh’s doctoral thesis, fuses feminist activism and a DJ practice to generate an installation and participatory art practice aimed at corporeal, low-frequency, sound-oriented experiences.
In 1993, Wolfgramm referred to the climax in faiva as ‘asi (the presence of the unseen). This spirit of artistic expression is an agent sometimes identified when Oceanic people work together to bring artistic works to their apotheosis.
This practice-led research from Rachelle Moore explores how the hybrid knit-weave technique, inlay, can be used to build knitted surface topographies through the assemblage of material forces.
Matanga ‘oe Talanoa
Designing creative, autobiographical podcasts as a means of generating dialogue about mental health and addiction
